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 Vintage2001 Label 1 of 28 
ProducerMarcel Lapierre (web)

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Community Tasting History

Community Tasting Notes (average 90 pts. and median of 90 pts. in 2 notes) - hiding notes with no text

 Tasted by Kirk Grant on 2/11/2010: Nice, light, and easy to drink. Served slightly chilled and went will with dinner. (2062 views)
 Tasted by Vino Me on 7/23/2003 & rated 90 points: Slightly darker red than the 2000. Aromas of red raspberry and cherry. This seemed a little bigger and fuller than the 2000. Excellent concentration for a Beaujolais. Smooth with rich ripe fruit. Medium bodied. Currant and tart cherry notes with some earthiness and a very nice long biting bitter finish. 89-90 points. (2656 views)

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Marcel Lapierre

Producer website
Marcel Lapierre, Beaujolais Producer, Is Dead at 60
Published: October 11, 2010
Marcel Lapierre, a Beaujolais grower and producer who played a leading role in rejuvenating the diminished reputation of the region’s wines, died Sunday in Lyon, France. He was 60.

The cause of death was melanoma, said Kermit Lynch, the American importer of his wines. Mr. Lapierre was a rigorous, relentlessly experimental winemaker. He and a group of three other producers were instrumental in demonstrating to the world that Beaujolais had far more to offer than its often insipid mass-market nouveau wines.
Rather than these fruity, happy-go-lucky concoctions, Mr. Lapierre and his colleagues, Jean Foillard, Guy Breton and Jean-Paul Thévenet, produced wines of depth, nuance and purity that nonetheless retained the joyous nature of Beaujolais.
Mr. Lynch remembered the first time he tasted a Lapierre Morgon, from the 1989 vintage. “That bottle was so convincing to me,” he said on Monday. “He and his gang were so different from everything going on.”
Mr. Lynch long ago called Mr. Lapierre and his like-minded colleagues the Gang of Four. The name stuck, even as the loose group of friends came to include many more than four.
Mr. Lapierre was born April 17, 1950, into a country exhausted by two world wars. When salesmen appeared, offering new, labor-saving technologies, chemical fertilizers, herbicides and pesticides, many vignerons did not require much convincing to cast aside the labor-intensive traditions of generations. The result was a sort of banalization of Beaujolais.
The problems for the region were eventually made worse by the growing popularity of Beaujolais nouveau. When Mr. Lapierre took over his family’s domain in Villié Morgon in 1973, the quaint harvest custom of making a new wine for immediate consumption was about to explode into a worldwide phenomenon. By the end of the 1970s, with the aid of aggressive promotion, cities from London to New York to Tokyo would be counting the minutes until the third Thursday of each November, the official release date, when wine shops could unveil the stored cache and proclaim, “Le Beaujolais nouveau est arrivé.”
The popularity of nouveau tilted the priorities of the region. As more and more Beaujolais production went into nouveau, growers no longer made a pretense of striving for quality. When the market for nouveau diminished, growers in the lesser regions of Beaujolais were stuck with an oversupply of poor wine, and the public was stuck with an image of vapid wine meant to be drunk immediately.
In the 1970s, Mr. Lapierre made his wines in the conventional manner of the times. But by 1981 he had come under the influence of Jules Chauvet, a Beaujolais wine dealer and scientist who advocated avoiding the use of chemicals as far as possible. Mr. Lapierre adopted organic viticulture, decided he would no longer add yeast to induce fermentation, and reduced or eliminated the amount of sulfur dioxide he would add to the wine.
Sulfur dioxide has been used as a preservative in wine for centuries, but can alter the experience of a wine, the way viewing a work of art through glass differs from a direct view. Used in excess, it can mask a range of sins, and many leading winemakers today try to use as little as possible. But to use no sulfur is risky and requires absolute rigor in shipping and storing the wines.
“It affects the very shape of the wine,” said Mr. Lynch, who does not buy wine without sulfur from any producer other than Mr. Lapierre. “The wine with no SO2 is very voluptuous and rounded. With SO2 it’s very squared-off to me.”
In recent years Mr. Lapierre’s son, Mathieu, had taken over winemaking duties for his father. Mr. Lapierre is also survived by his wife, Marie, and two daughters, Camille and Anne.
Why had he changed his methods in 1981?
“Because the wines I made didn’t satisfy me, and the wines from elsewhere that I liked weren’t made in the modern style,” he told the quarterly The Art of Eating in 2004.
“I’m just making the wine of my father and grandfather,” he said, “but I’m trying to make it a little better.”


Varietal character (Appellation America)


Vins de France (Office National Interprofessionnel des Vins ) | Pages Vins, Directory of French Winegrowers | French Wine (Wikipedia)


Les vins de Bourgogne (Bureau interprofessionnel des vins de Bourgogne) (and in English)
Burgundy - The province of eastern France, famous for its red wines produced from Pinot Noir and its whites produced from Chardonnay. (Small of amounts of Gamay and Aligoté are still grown, although these have to be labeled differently.) The most famous part of the region is known as the Cote d'Or (the Golden Slope). It is divided into the Cote de Beaune, south of the town of Beaune (famous principally for its whites), and the Cote de Nuits, North of Beaune (home of the most famous reds). In addition, the Cote Chalonnaise and the Maconnais are important wine growing regions, although historically a clear level (or more) below the Cote d'Or. Also included by some are the regions of Chablis and Auxerrois, farther north.
Burgundy Report |
Les Grands Jours de Bourgogne - na stejné téma od Heleny Baker


Vins du Beaujolais (L’Union des Vignerons du Beaujolais)

Below is publicly available at:http://wineberserkers.com/viewtopic.php?f=1&t=38414&start=0
Notes from John Gilman on the 2009 Vintage
There will be a lot of absolutely delicious Beaujolais to try in 2009, as it is indeed a very good, atypically ripe and opulent vintage for Beaujolais. As others here have mentioned, the Louis-Dressner and Kermit Lynch portfolios cover many of the very best estates (with an honorable mention for importer Weygandt-Metzler), and just choosing from their strip labels is a very good jumping off point. As a quick primer, the three best Beaujolais and Beaujolais-Villages producers that I regularly cross paths with are the aformentioned Jean-Paul Brun and his Domaine Terres Dorées, Pierre Chermette of Domaine du Vissoux and Domaine Dupeuble from the Kermit Lynch's portfolio. I also find the Beaujolais-Villages from Joseph Drouhin consistently excellent and very classic in style and like all of this firm's Beaujolais, a completely underrated source for very top drawer Crus and B-Villages.

Amongst the Cru Beaujolais, it is important to keep in mind(again as folks have mentioned already) that certain villages tend to produce much more structured wines, and this will be very evident in a powerful vintage like 2009. In general terms, the wines from Moulin-a-Vent, Morgon and Cote de Brouilly are going to demand a bit of bottle age to really start to drink well in 2009, and these may not be the best growers to focus on when tasting through the vintage to draw your own conclusions. But in these appellations, if you keep in mind that what you are tasting is likely going to need five years of bottle age to really blossom from these crus, you cannot go wrong with Kermit Lynch's "Gang of Five" producers- Thevenet, Lapierre, Foillard, Breton are four of the five- as well as Georges Descombes and Louis et Claude Desvignes from Louis-Dressner. I also like very much the Morgons made by Louis Jadot and Joseph Drouhin for the big houses, and Jean-Paul Brun also makes a very good example of Morgon.

In Moulin-a-Vent, Louis Jadot's Chateau des Jacques makes a very good range- though always structured when young- and Bernard Diochon is excellent year in and year out. Pierre Chermette also makes superb Moulin-a-Vent and the Drouhin version is consistently exceptional. In Cote de Brouilly, the two most exciting producers are Nicole Chanrion and Chateau Thivin (both represented by Kermit Lynch). The Chanrion is usually very accessible out of the blocks for this very stony terroir (it is an extinct volcano), while the Chateau Thivin bottlings demand time and are usually tight and structured when young. Better to try the delicious straight Brouilly from Chateau Thivin if you want to drink one of their wines out of the blocks, as that never demands patience and is lovely.

In the less structured Cru villages, wines I particularly like are the aformentioned Clos de la Roilette in Fleurie (they are the Chateau Yquem of the village- though their vines are right on the Moulin-a-Vent border and the wine used to be sold as Moulin-a-Vent before the AOC went into effect, so they are a bit more structured than most Fleuries), Cedric Chignard, Jean-Paul Brun and Pierre Chermette are all very, very good sources. Domaine Diochon in Moulin-a-Vent also makes a good Fleurie, as does Joseph Drouhin. In general these will be more floral, open and sappy bottles of Beaujolais out of the blocks and they will be delicious from the get-go.

In St. Amour, Domaine des Billards makes absolutely brilliant wines and is one of my favorite producers in all of Beaujolais. In Julienas, Michel Tete is the star producer, but I also like the Drouhin bottling from here very well indeed. There are many more outstanding bottlings to be found scattered thorughout the crus and I am sure that I am forgetting several worthy estates, but this at least will give you a good "to do" list to get started with the vintage. The only '09s I have tasted thus far are the Joseph Drouhin wines, which I tasted through in Beaune in March, and they are deep, sappy and beautifully soil-driven. If all the other top estates have made wines in this style, then this is indeed going to be a very special vintage for the region. But with the wines from Morgon and Moulin-a-Vent, you may do better trying a few bottles from either the 2006 or 2007 vintage if you can find them well-stored, as these are less structured vintages and both are beginning to really drink well from these villages.

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