Alio's, Surry Hills
Tasted Monday, June 7, 2010 by graemeg with 1,000 views
At Gordon’s instigation, we had the pleasure of the company of Matthew Wenk, chief winemaker for Two Hands in the Barossa Valley, generously bringing with him a case of mostly new releases. Founded by Michael Twelftree and Richard Mintz and now ten years old, Two Hands has ridden an early wave of success (chiefly in the US) out of all proportion to its size on the back of glowing reviews from Robert Parker’s Wine Advocate. For instance, the US-centric Cellartracker.com website, repository of 18 million tracked bottles and 1.4 million user-generated tasting notes has Two Hands ranked fith by volume of bottles held (and tasting notes) among all Australian wineries. An impressive achievement for such a new operation. They’re diversifying their markets a bit, and evidently are having no trouble getting rid of their 750 tonne/50,000 case annual production (2010 figures). They’ve broken all the rules for making money out of wine by owning some 20ha of their own vineyards (shiraz and cabernet): the rest of their fruit comes from a large range of contract growers. Ten single varieties and blends make up their entry-level ‘Picture’ series of wines, plus three fortifieds; all with quirky names and quaint label photographs. Beyond is the ‘Garden’ series of Shiraz, then the top reds, and a few rogue wines from California (some of which have since fallen casualty to the GFC). Winery and Cellar Door is in Greenock in the Barossa. We started the night with a lonely riesling:
On to the Garden series wines. These are barrel selections of estate and contract fruit, with varying oak (cooper) treatments intending to showcase the different faces of shiraz, which are named after the founders’ various family members. The 2007 ‘Samantha’s Garden’ (Clare) is missing tonight; already sold out. All wines under cork for the rest of tonight; not from any technical reservation, but for purely marketing-related reasons.
At the top of Two Hands range are some single vineyard wines, and the premium varietal flagships; again barrel selections, and made in limited quantities and packed into hefty, thick-glassed 1kg bottles. The alcohol is what it is; Matt claims to pick on flavour not purely by technical measurement; if it works it works. That’s an honest approach – all you could want.
Impressive night of wines; thanks to Gordon for organising, Two Hands for the wines, and Matt for bringing them along and being so generous with his insights and opinions.
2009 Two Hands Riesling The Wolf
Australia, South Australia, Mount Lofty Ranges, Clare Valley
[11.4%, screwcap, A$25] Made from free-run juice only, and at the miserly rate of 300 cases a year; this is Two Hands’ only dry white. Nearly colourless in appearance, it has an intense and youthful nose of musk, lime and minerals. The palate is bone-dry, and the lime fruits are joined by a mineral quartz flavour that manages to give the palate a steely texture. There’s plenty of spritzy acid (minor acid adjustment only, although the texture did prompt me to ask the question). Being light bodied doesn’t preclude a quite persistent finish, which stretches quite impressively along the length of the palate. Ought to age for a few years quite happily.
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2008 Two Hands Brave Faces
Australia, South Australia, Barossa, Barossa Valley
[15.3%, screwcap, A$27] For the first time grenache-dominant at 55%, with shiraz at 35% and mourvedre making the balance. The hot, dry 2008 vintage roasted the shiraz, and created something of a surplus of suitable grenache. And don’t you taste it. Ruby-coloured; a youthful, candied nose of strawberry jams and jubey fruits, with touch of meatiness beneath. The palate is dry, with surprisingly soft chalky tannins; there’s an element of elegance that I wasn’t expecting, despite it being at least medium-bodied. Objectively it’s still pretty jammy, but enticingly so. There are some grenache bubble-gum flavours, and decent weight on the mid-palate. But it’s hardly a taut wine, and will probably drink best fairly early before its intrinsic warmth – you can taste the vintage heat in the wine – takes over.
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