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| Drinking window: Drink between 2006 and 2016 (based on 118 user opinions) |
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| Community Tasting Notes (average 88.9 pts. and median of 90 pts. in 21 notes) - hiding notes with no text | | | Tasted by Los 12 Glotones on 6/6/2013 & rated 91 points: - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Els12golafres Wine Tasting Group: http://vinosclasicos.blogspot.com.es/2013/04/tondonia-rosado-1995.html
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El rosado de color más intenso de todas las añadas desde que dejó de ser un 5º año: anaranjado-rojizo, reflejos cobrizos y ambarinos. Recuerda a un Rivesaltes Ambré añejado, del tipo hors d'âge o de una cosecha similar. Sensación de grosor con profusión de lágrimas, permanentes.
En nariz se muestra intenso y expresivo. Hay una gratísima expresión clásica de crianza riojana. Mucha cuadra, fruta seca (orejones, almendras) y un fondo perfumado a maderas envinadas, pétalos, flores marchitas, confituras. Ligeras notas de caramelo inglés, fruta confitada, piel de naranja.
En boca es grueso y fresco, sabroso, con una fuerte expresión de crianza tradicional (vainilla, escarchados, cítricos dulces) que ha pulido el conjunto. Redondito, delicado, con mucha armonía y equilibrio. Destaca de esta añada la desbordante cantidad de fruta muy madura, con un hermoso de dulcedumbre. El conjunto está arropado por una acidez encomiable de la que ya gustarían gozar muchos reservas de la bodega. Un rosado atípico y único, de enorme complejidad que demuestra la longevidad de los productos de esta casa. No muestra ni un síntoma de fatiga. Para guardarlo un tiempo más. Mi mejor rosado de Tondonia desde que se embotellan con añada. Esperamos que vuelvan a recuperar esta elaboración lo antes posible.
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-E-L-S - 1-2 - G-O-L-A-F-R-E-S - W-I-N-E - T-A-S-T-I-N-G - G-R-O-U-P - - - - - - -
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tempranillo, garnacho, viura - 12% vol.
Permanece durante 4 años en barricas de roble americano. Sometido a 2 trasiegas manuales cada año. Clarificado con claras de huevos frescos. Producción limitada a 20.000 botellas. Embotellado sin filtrar.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - (2418 views) | | | Tasted by kstoddard on 10/30/2012 flawed bottle: VA on the nose. Undrinkable. Dale's first wine. (3439 views) | | | Tasted by Joe_Montana on 7/22/2009 & rated 83 points: Vino con gran personalidad. La oxidación está lógicamente muy presente pero también la fruta. Con buena acidez. Maridar con carnes blancas, grande con pato a la naranja. (2618 views) | | | Tasted by NPWolfe on 10/28/2008 & rated 88 points: Some 50 years ago my mother would take me when she made her social and check in calls on the widows that lived in the neighborhood. I remember that all of their houses’ smelled of sachet, potpourri, orange peels, earl gray tea, and vanilla extract mixed in with a little mustiness. The smell and taste of this wine reminds me very much of those smells. As others have noted, a beautiful copper color. Surprisingly crisp with very little oxidation. The last time I had the wine I could not think of a food to pair with it. This time we had the wine with chicken in peanut sauce. Great match. (4245 views) | | | Tasted by wineswiller on 4/23/2008 & rated 91 points: Light salmon color. Nose has spice, a little barnyard funk, and dustiness. The palate is spice, earth, wood, cranberry/sour cherry, and there's a slight sherry nuttiness, maybe from oxidation but maybe from the wood aging. A really complex and unique rose. (4325 views) | | | Tasted by BigTarheel on 3/17/2008 & rated 85 points: Not your everyday wine ... clearly showing some signs of oxidation with a nutty, sherry-like nose. The palate is smoothe and intriguing but clearly an oddball wine. Try this wine for the curiousity not the deliciousness. (3311 views) | | | Tasted by amgryger on 11/2/2007: Beautiful copper color. Voluptuous exotic nose of coconut cream with a little chocolate. On the palate this wine is rich, focused, and complex. If blind-folded I would definitely have thought it was a red wine. The flavor profile starts out with a really ripe exotic fruit flavor that I couldn't pin down and continues with blood orange, apricot, a touch of chocolate, and five or six other flavors I couldn't pin down. At the end, the intense flavors fade out really elegantly into a long finish that is light and alluring. Somehow it reminded me of the air just after it has rained in a flower garden. (3810 views) | | | Tasted by winekitchen on 7/15/2007: An unusual aged dry rose. Orange-hued in the glass, with distinctive sherry-like qualities on the nose and palate. Appealed much more to Tom than me--which makes sense, as he also has a much greater appreciation for sherries than I do. (2368 views) | | | Tasted by kenito799 on 6/27/2007 & rated 92 points: Wow. This is such a unique wine, in its own category, really expands my horizons of what wine can be. For this alone I love it. Pale coppery color. Aroma first and foremost brings to mind the oxidized scent of fino sherry--instantly transporting me to Spain. Then on the palate--incredibly tangy acidty, with a flavor that could be a red or a very rich rich white--bright red fruit, cranberry, raspberry, black cherry...long tart finish...just a delicious wine that is so easy to drink quickly but deserves to be savored and contemplated. Absolutely will be buying more of this. GREAT stuff. (2292 views) | | | Tasted by caboychuck on 6/11/2007: Had with some Chinese food. Butterflied shrimp. Not the best match, but not too bad. Thought this bottle showed a little more maderized than previous bottle. Dry, decent weight. Not a real good spring time rose. (2271 views) | | | Tasted by brooklynguy on 5/29/2007 & rated 91 points: Beautiful salmon color, gold and orange in there too. Complex nose, opening with fresh strawberries (at 12 years old!), continuing with older sherry notes, some vanilla. you would think that the palate might reflect the age of the wine, but I found it to be fresh and youthful with exuberant strawberry and peach flavors. There is also some oxidization, yes, but it adds to the appeal. A surprising and interesting wine, a definite rebuy. (2403 views) | | | Tasted by blue on 4/21/2007: Very nice wine, this is one of the best rose u can dream of. at 12 year still a s crisp and structured as it can be. (2295 views) | | | Tasted by Los 12 Glotones on 3/11/2007 & rated 87 points: - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Els12golafres Wine Tasting Group: http://vinosclasicos.blogspot.com.es/2013/04/tondonia-rosado-1995.html
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Ambarino oscuro, reflejos anaranjados y rojizos, borde yodado.
Nariz limpia (recuerda a un Rivesaltes ambré), de media intensidad, marcada por la crianza (maderas viejas, curtidos, laca), especias, y una suave nota a mondadura de naranja, con más tiempo se abre a los amielados, membrillo, caramelo toffe y frutos secos (avellana, almendra, nougat).
En boca es grueso y cálido, suave, seco, excelente acidez, con sabrosas notas amargantes a confitura de naranja y vainilla, tanino algo maderoso, muy largo, original.
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-E-L-S - 1-2 - G-O-L-A-F-R-E-S - W-I-N-E - T-A-S-T-I-N-G - G-R-O-U-P - - - - - - -
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tempranillo, garnacho, viura - 12% vol.
Permanece durante 4 años en barricas de roble americano. Sometido a 2 trasiegas manuales cada año. Clarificado con claras de huevos frescos. Producción limitada a 20.000 botellas. Embotellado sin filtrar.
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| R. López de Heredia Producer WebsiteGrenache Blend. Viña TondoniaJay Miller in WA, June 2010
A visit to the venerable Bodega Lopez de Heredia, located in the Rioja Alta capital of Haro, is akin to entering a time machine taking you back 100 years. Construction of the Bodega began in 1877 and continues without any apparent changes to the present day. The winery is operated by the voluble Maria Jose Lopez de Heredia, her sister Mercedes, and their father Pedro, still active into his 80s. All of the wines are produced from estate grown bush vines. Tondonia and Bosconia are two different vineyards; Bosconia has a larger percentage of Tempranillo and a different orientation. For an excellent overview of the estate, read Eric Asimov’s blog in the New York Times dated August 11, 2009.
Map on weinlagen-infoSpain Vinos de España - Wines of Spain (Instituto Español de Comercio Exterior) | Wikipedia
Wine Map on weinlagen-info
Spain is the third largest wine producing nation in the world, occupying the majority of the Iberian Peninsula with vast diversity in climate, culture, and of course, wine. From inky, dark reds of the [Priorat] to dry, white Finos from Andalusia, Spain can easily boast of elaborating a wide variety of notable styles. Within Spain there are currently 62 demarcated wine regions, of which a handful have gained international recognition: [Rioja], Priorat and [Ribera del Duero]. Yet these regions are only a small sample of the high quality wines Spain produces. Regions such as Cava, Penedes, Somontano, Galicia, Rueda and Jerez are only a few of the numerous regions worthy of exploration throughout Spain. Spain can also lay claim to having the most land under vine in the world, growing up to, by some accounts, 600 indigenous varietals of which Tempranillo is their most well known. Other popular varietals include [Garnacha], Bobal and Monastrell for reds and for whites; the infamous [sic] Palomino Fino grape which is used in the production of sherry wine, Pedro Ximenez in Montilla Morilles, Albarino used in the creation of the bright, effervescent wines of Galicia, and Verdejo in Rueda. - Source: - Catavino.net
Spain is not in the forefront of winemaking for its dessert wines, other than for its sweet wines from Sherry country including the highly revered Olorosos (when sweetened). But apart from Sherry Spain has a range of styles of dessert wines, ranging from the those made from the Pedro Ximenez grape primarily in Jerez and Montilla-Moriles) to luscious, red dessert wines made in the Mediterranean from the Garnacha (Grenache) grape. Some good Moscatels are made in Mallorca, Alicante and Navarre. The northwest corner of Spain, Galicia, with its bitter Atlantic climate, is even making dessert wines, called “Tostadillos” in the village of Ribadivia (similar to France’s “Vin de Paille”). The Canary Islands have made interesting dessert wines for centuries (they are mentioned by Shakespeare, for example) and in recent years the quality of winemaking has been improved and the Canary Islands wines are being better marketed now. The winemaking styles for “Vinos Dulces” are also diverse, from “Late Harvest” (Vendimia Tardía) to “Fortified Wines” (Fermentación Parcial). Based on in-spain.info.La Rioja Consejo Regulador DOC Rioja - Control Board of the D.O.Ca. Rioja
Map on weinlagen-infoLa Rioja Alta Map on weinlagen-infoRioja Consejo Regulador DOC Rioja - Control Board of the D.O.Ca. Rioja
HISTORY
The wine region of La Rioja in Spain was first demarcated by the area's governing body, the Consejo Regulador, in 1926. The region extends for approximately 120 kilometres along both sides of the Ebro River and is, at its widest point, bounded by mountains on either side. In fact, the word 'Rioja' is a derivation of the two words 'Rio' (River) and 'Oja (the name of a tributary of the Ebro that runs right through La Rioja creating a series of microclimates and providing much needed water for the vines).
La Rioja has always been a vital part of Spain's history. Phoenicians, Carthaginians, Romans, Moors, and finally, medieval Crusaders have all played a part in the area's history. The Romans, however, made wine a part of their culture wherever they travelled, and La Rioja was no exception. Ancient sites of Roman wineries still exist in and around the area today.
After the Romans came the Moors, and winemaking all but ceased. It wasn't until after the famous 'El Cid' liberated Spain, and medieval Christianity brought trade via the Crusaders through the region, that it flourished again. The Benedictine monks of Cluny in Burgundy, known for their viticulture, helped to establish three monasteries in the area. The vines they planted were mostly white grapes. In the fourteenth century, English traders acquired a taste for a local Rioja wine, which was a blend of white and red wines called Blancos Pardillos. Over time, development of lighter reds came about satisfying eighteenth century English and French courts.
The real improvements to Rioja's viticulture began around 1780 when the need to prolong wine during transport brought about experimentation with different woods and preservatives. Studies were made of the techniques used by great chateaux in Bordeaux. With the outbreak of the Peninsular War, progress was halted until 1852, when the Bordelais came south to Rioja seeking vines because their vineyards had been blighted with oidium. French winemaking methods were eagerly taken up by great rivals the Marques de Murrieta and Marques de Riscal (who both claim to have been the first in Rioja to make wine in the Bordeaux fashion).
When phylloxera devastated Bordeaux in the 1870s and the French influence really took hold in Rioja, many of the region's finest bodegas started production on what we now consider as the great wines of Rioja. It’s important to remember that Bordeaux winemaking methods then were very different to those employed today in France, and involved long ageing in barrel, a factor that the Riojans took up enthusiastically. So enthusiastically in fact that to this day there are a number of Bodegas that still make their wine in a surprisingly similar fashion to that of the Bordelais in the later part of the 1800s and this also explains why oak ageing is such an important part of Riojan winemaking.
USE OF OAK
Pronounced vanilla flavours in the wines are a trademark of the region though some modern winemakers are experimenting with making wines less influenced by oak. Originally French oak was used but as the cost of the barrels increased many bodegas began to buy American oak planks and fashion them into barrels at Spanish cooperages in a style more closely resembling the French method. This included hand splitting the wood, rather than sawing, and allowing the planks time to dry and 'season' in the outdoors versus drying in the kiln. In recent times, more bodegas have begun using French oak and many will age wines in both American and French oak for blending purposes.
In the past, it was not uncommon for some bodegas to age their red wines for 15-20 years or even more before their release. One notable example of this is Marqués de Murrieta which released its 1942 vintage Gran Reserva in 1983 after 41 years of ageing. Today most bodegas have shifted their winemaking focus to wines that are ready to drink sooner with the top wines typically ageing for 4-8 years prior to release though some traditionalists still age longer. The typical bodega owns anywhere from 10,000 to 40,000 oak barrels.
The use of oak in white wine has declined significantly in recent times when before the norm was traditionally 2-5 years in oak. This created slightly oxidised wines with flavours of caramel, coffee, and roasted nuts that did not appeal to a large market of consumers. Today the focus of white winemakers has been to enhance the vibrancy and fruit flavours of the wine.
WINE CLASSIFICATION
Most Riojan Bodegas believe that the ageing of a wine should be the responsibility of the producer rather than that of the consumer, and this is why much Rioja is more mature than wines from other countries. Rioja red wines are classified into four categories. The first, simply labelled 'Rioja', or 'Sin Crianza' (meaning 'without ageing') is the youngest, spending less than a year in oak. A "Crianza" is wine aged for at least two years, at least one of which is in oak. 'Reserva' is aged for at least three years, of which at least one year is in oak. Finally, 'Gran Reserva' wines have been aged at least two years in oak and three years in bottle. Reserva and Gran Reserva wines are not necessarily produced each year. Also produced are wines in a semi-crianza style, those that have had a couple of months of oak influence but not enough to be called a full crianza. The designation of Crianza, Reserva or Gran Reserva might not always appear on the front label but may appear on a neck or back label in the form of a stamp designation known as Consejo.
SUB REGIONS
Rioja Alta
Located on the western edge of the region, and at higher elevations than the other areas, the Rioja Alta is known for more fruity and concentrated wines which can have very smooth texture and mouth feel.
Rioja Alavesa
Despite sharing a similar climate as the Alta region, the Rioja Alavesa produces wines with a fuller body and higher acidity. Vineyards in the area have a low vine density with large spacing between rows. This is due to the relatively poor conditions of the soil with the vines needing more distance from each other and less competition for the nutrients in the surrounding soil.
Rioja Baja
Unlike the more continental climate of the Alta and Alavesa, the Rioja Baja is strongly influenced by a Mediterranean climate which makes this area the warmest and driest of the Rioja. In the summer months, drought can be a significant viticultural hazard, though since the late 1990s irrigation has been permitted. Temperatures in the summer typically reach 95°F. Twenty percent of the vineyards actually fall within the Navarra appellation but the wine produced from the grapes is still allowed to claim the Rioja designation. The predominant grape here is the Garnacha which prefers the hot conditions, unlike the more aromatic Tempranillo. Consequently Baja wines are very deeply coloured and can be highly alcoholic with some wines at 18% alcohol by volume. The wines typically do not have much acidity or aroma and are generally used as blending components with wines from other parts of
the Rioja.
The Riojans are master blenders (as they have to be because there are relatively few single estates in the area, the norm being to blend from a wide variety of vineyards and wine areas). Consequently they are able to reduce vintage variation by careful blending and many of the best wines vary relatively little between vintages.
VITICULTURE & GRAPES
Rioja wines are normally a blend of various grape varieties, and can be either red (tinto), white (blanco) or rosé (rosado). Rioja has a total of 57,000 hectares cultivated, yielding 250 million litres of wine annually, of which 85% is red. The harvest time for most Rioja vineyards is September-October with the northern Rioja Alta having the latest harvest in late October. The soil here is clay-based with a high concentration of chalk and iron (which provides the redness in the soil that may be responsible for the region's name, Rioja, meaning red). There is also significant concentration of limestone, sandstone and alluvial silt.
Among the Tintos, the best-known and most widely-used variety is Tempranillo. Other grapes used include Garnacha Tinta, Graciano, and Mazuelo. A typical blend will consist of approximately 60% Tempranillo and up to 20% Garnacha, with much smaller proportions of Mazuelo and Graciano. Each grape adds a unique component to the wine with Tempranillo contributing the main flavours and ageing potential to the wine; Garnacha adding body and alcohol; Mazuelo adding seasoning flavours and Graciano adding additional aromas.
With Rioja Blanco, Viura is the prominent grape (also known as Macabeo) and is sometimes blended with some Malvesia and Garnacha Blanca. In the white wines the Viura contributes mild fruitness, acidity and some aroma to the blend with Garnacha Blanca adding body and Malvasia adding aroma. Rosados are mostly derived from Garnacha grapes. The 'international varieties' of Cabernet Sauvignon and Merlot have gained some attention and use through experimental plantings by some bodegas but their use has created wines distinctly different from the typical Rioja.
Some of the most sought after grapes come from the limestone/sandstone based 'old vine' vineyards in the Alavesa and Alta regions. These 40 year old plus vines are prized due to their low yields and more concentrated flavours. A unique DO regulation stipulates that the cost of the grapes used to make Rioja must exceed by at least 200% the national average of wine grapes used in all Spanish wines.
VINTAGE CHART
Rioja (Red) Year %
2004 Superb vintage, classic wines Drink or Hold 94
2003 Hot, dry year, long-ageing wines Drink or Hold 91
2002 Smallest vintage in 10 years. Variable quality.
Keep to top names Drink or Hold 87
2001 Excellent year for long ageing Reservas
and Gran Reservas Drink or Hold 94
2000 A generally good vintage with fine Reservas Drink or Hold 89
1999 Smaller vintage of good quality Drink or Hold 88
1998 Good vintage Drink or Hold 97
1997 Unexciting so far, but quaffable Drink or Hold 84
1996 Good year, plenty of ageing potential Drink or Hold 89
1995 Very good vintage, Reservas now showing excellent fruit Drink or Hold 92
1994 Outstanding, some great long-ageing wines Drink or Hold 94
1993 Lesser wines, apart from best-known names Drink 77
1992 Rather light vintage Drink 80
1991 Still improving, average quality Drink or Hold 85
1990 Fairly ordinary but quaffable Drink 84
1989 Good, firm structure Drink 88
Rioja Reserva & Gran Reserva – Vintages of the Eighties Year %
1989 Goodish vintage, well balanced Drink 88
1988 Fairly good vintage, well balanced wines Drink 88
1987 Very attractive vintage, now at peak Drink 90
1986 Average year, now drinking well Drink 87
1985 Average year, now drinking well Drink 87
1984 Disappointing, with problem weather Avoid 80
1983 Don't keep it any longer Drink 86
1982 Now past its best Drink 83
1981 Superb wines, finest will keep longer Drink 90
1980 Average vintage, don't keep any longer Drink 86
More vintage charts
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