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  1. Pinotfanbg

    Pinotfanbg

    251 Tasting Notes

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Community Tasting Notes (16) Avg Score: 90.9 points

  • Given the age of this bottle and the suggested drinking window, I didn’t have a lot of hope for this drinking experience. Lots of fuzz and sediment, so this bottle needed a week upright to settle and a good decant. Bright copper orange color. Does not give much on the scent. Rose like scent with minerals and chalk. Good body and density on the palate. A good amount of acidity makes this work, especially with food. Finishes with fine grippy tannins and the flavor of blood orange. Surprisingly refreshing.

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  • Based on the vintage 2007. Made from Carricante, Cataratto and Grecanico Dorato – a variety better known as Garganega.

    A slightly hazy, honeyed yellow color with a hint of pale brown – by its appearance this wine reminds me more of IPA beers than anything vinous. Lots of sediment in the bottle. Quite reticent nose with rather subdued aromas of ripe apricot, some matured honeyed notes, a little hint of candied orange peel and a whiff of nutmeg with an elegant, minty lift. On the palate there is an initial prickle of CO2 that dissipates almost instantaneously. Flavor-wise the wine reminds me quite much of lambic beers – not just because of this prickle, but also because of the funky and somewhat earthy, wild flavors and pronounced, high acidity. The flavors are somehow quite neutral, yet still full of power and depth – there are nuances of green apples, tart green gooseberries, some balsamico vinegar volatility, a little unripe peaches and a hint of nutty oxidation. Despite its acidity, the wine feels quite full-bodied with almost oily mouthfeel. Tannins are quite light, but they still give nice bite. The finish is quite light in flavor, but rather long and remarkably fresh with flavors of green, bitter herbs, some lambic-ish green apple sourness, faint animal hints and a touch of tart lingonberries.

    At over 6 years of age, this completely sulfite-free wine is in pristine condition and full of life! Only the slightest hints of oxidation suggest that maybe the wine has some years under its belt. Yet it seems to be drinking wonderfully now, although – based how the wine seemed to just evolve in the glass – I can imagine it will develop further at least for a handful of years. Decanting is recommended; not only does the wine become more expressive with air, the bottle is also literally packed with deposit. All in all, this is not an easy wine, but instead one that has more in common with gueuze lambic beers than a great majority of modern white wines. Some might consider this wine faulty and undrinkable, but for me, this was a thoroughly tasty and refreshing experience. Recommended for acid-loving adventure-seekers.

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  • No formal notes here, but this was much better than the last bottle. It was double decanted to pull off the lees and let to sit for 2 hours before consuming. I think the additional air helped it. Very smooth and graceful throughout, with the typical Cornelissen oddness that I really enjoy. It was a gamble with a Sicilian dinner we cooked for my family, but everyone really liked it.

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  • Probably a bit long in the tooth for this bottle, having lost a little of its youthful exuberance. That said, this is a wine for lambic lovers. Hell, this wine is a lambic, for all intents and purposes. Cidery, tart, brett, lemons, orange zest, rocks, leather, maybe cherry - all of it pulled back from the brashness of a younger bottle a little over a year ago. Tons of sediment and floaters. This generated a lot of debate - some folks were able to come to this wine where it was, others were utterly offended that someone would put such a thing in a bottle. I'm a fan, and I liked, but didn't love this bottle.

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  • Opened for one hour before hand, then decanted to remove the sediment. Only a couple ounces of dregs left in the bottom. The decanter bubbled up with plenty of frizante. Incredible color... as if you dropped copper coins in sulfuphruc acid. Crazy wild nose, with some sweet pickled plum, slightly yeiesty, dried wet fall leaves, and apple cider vinegar. Awesome texture on the palate, fairly luscious and nearly creamy. Initially some yeiesty flavors pick up, but there's lots of fermented pears and apples, with similar pickled red fruit. After an hour in the glass I get a distinct candied bubble gum. Quite spicy on the finish, but not in an alcoholic sense... it's the incredible acid. The acid isn't present on the palate at all so it was quite a shock on the finish, but in a good way. There's some yiesty flavors here too, some pear, but not too much depth, despite it lingering for over a minute. I really appreciated the intrigue here, but this wasn't as delicious for me as some of the other Cornelissen wines. Still a very intellectual experience.

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Garagiste

  • By Jon Rimmerman
    12/2/2008, (See more on Garagiste...)

    (MUNJEBEL 4 Cornelissen Bianco) Etna Dear Friends, I look forward to this release every year even though the wines are as polarizing as any we offer. I continue to champion this cause because I'm concerned that if we don't, who will? With the continued homogenization of the wine industry, a producer like Frank Cornelissen needs the support of experimental consumers that appreciate his endless hours of handmade toil even though the finished product is, to be polite, controversial. The new releases from Frank's eccentric world are upon us and only one thing can be said: wow. There is nothing that can describe this set to the uninitiated drinker expecting "wine" - I will do my best via the typed word but the only way to experience this reclusive spirit of Mount Etna is to taste the finished product (sort of like describing Pop Rocks to someone - you need to try it to understand). Somehow, the Cornelissen wines have become some of our most popular entries each fall and, in some strange way, they typify what Garagiste is all about: what few others would touch if they wish to stay afloat. We've offered the past three vintages of Cornelissen and each is unique, unstable and oh so intriguing. I'm always afraid each will go the way of my 3rd grade paramecium jar but they never do (I sampled a 2002 last week and it was even better than on first release). Without anything added or taken away (no sulpher, preservatives or stabilizers) the world of Frank Cornelissen has drawn a line in the sand with the cool and the uncool - if you want to be cool, I mean really cool, you announce your affection for Cornelissen's affliction as an everyday wine of choice. If you want to be truthful, you merely admit to having tried them - every wine drinker is all the better for it. Love them or disdain them, I believe you need the experience to help complete a palate that is a lifetime work in progress. Without the experience of Cornelissen, Musigny just tastes like Musigny. With the experience as a reference, Musigny tastes like something even grander than it already is. For education's sake, my I present the masterwork of Frank Cornelissen - attempting to embrace every wine drinker in the world by potentially alienating them one eccentric bottle at a time... Frank Cornelissen Contadino 4 (2006) We offered this last year but many of you asked for a few more bottles so here you go (this is different than the 2007 Contadino 5 we offered a few months ago). If Christmas cake could melt into a soil infested mold of living bacteria swimming in a murky mess of orange essence and sappy, cloudy, tobacco-tinged sarsaparilla, it would be this delicious treat cut from the active hillsides of Mount Etna. While the above description may sound horrific, horror is in the eye of the beholder and I know many Goths from my teen years that would find this not only tame but plebian. An homage to the natural "wine" movement and an experience to initiate one's palate to better understand the rest of the wine world (see above referenced Musigny comment). The fact that we've had so many re-order requests for this is telling - a beverage unlike anything else. Cornelissen does not recommend decanting - I do, for at least 15 minutes. Keep in mind, natural wine gobbles oxygen quickly and this is best consumed on the first evening. Frank Cornelissen Munjebel (Mongibello) #4 Bianco (2007) By far Frank's finest Bianco to date, the 2007 vintage has tempered the idiosyncratic nature of the wine and it is actually enjoyable, even floral and full of intrigue. From the widely known varietals of Grecanico Dorato, Coda di Volpe, Carricante and Cataratto, this white wine has a faintly orange hue with tangerine and citric elements that are captured in a textural blanket of extractive sap and surprising natural acidity. Unctuous but still delicate in flavor spectrum, I find the layered presence of the 2007 to be a revelation for Cornelissen and I think many of you will agree. An oxidative wonder with only 13% alcohol - a wine that should be poured blind in a flight of white Hermitage or Condrieu. Frank Cornelissen Munjebel (Mongibello) #4 Rosso (2006/2007) From 100% Nerello Mascalese grapes, this is akin to Cornelissen's Mon Aieul cuvee as opposed to his "regular" blend (the Contadino). There is more of everything here and the dried fruit and sweet spice compote quality is truly something to behold. Cinnamon sticks, mulling spices and the signature orange peel vie for supremacy with a sense of freshly fallen October leaves from trees grown in volcanic ash. The Munjebel #4 has a nature of suspension where all of the components are held in thick textured animation with a Pinot Noir element that seems diametrically opposed to the murky autumnal fruit - this cannot possibly be real but it is. Frank likens this to "Christmas cake left out in the sun for a month" and I'm not sure I have any vein of reference to argue his analogy. One of a kind - for intrigue it would be hard to top this. Pour blind in a flight of 1990 Chëteauneuf du Pape (or even 1999 Vosne-Romanee). Frank Cornelissen MAGMA "R" (2006) From one of the last pre-phylloxera vineyards left in Europe (at an altitude of over 3000ft) on the flank of Mount Etna, only a few hundred bottles were produced of this red nectar - literally squeezed from the plant one grape at a time. I'm not really sure how to describe this wine - the Deux Freres of the natural winemaking world? The anti-Le Pin? By far the most expensive wine in the oxidative movement sweeping Europe, the regular Magma was an experience that once kept an entire room of collectors hushed for nearly 30 minutes as they indulged (and that was a bottle of what didn't make it into this reserve wine). The Magma "R" (reserve) is, in Frank's view, the finest wine he could ever produce from the solid volcanic ash of the mountain. Think of molten grape extract gliding down a curvy slide, a la Candyland after a bad card, that bumps up against a pool of quicksand made from soil and the most painfully intense sense of terroir and fruit must that can be imagined. Put all of this into a bowl of red, white and exotic fruit with the pulp exposed and starting to ferment - mix it with air-dried tobacco and a liquefied piece of pumpkin pie and it would be the MAGMA "R" - a wine that is so intense, so unlike anything else in the world only a few hundred souls on this planet will ever get to experience it. If you are an "expert" in Italian wine, you cannot truly claim to be until you've poured at least a small sip of this down your gullet. Insane...even more so over a 4-8 hour period as the wine gobbles molecules of oxygen. All are directly from the cellars at Frank Cornelissen with perfect provenance For further information and to reiterate past offers I've penned on Frank, please see Jamie Goode's article (unrelated): http://www.wineanorak.com/magma.htm Thank you, Jon Rimmerman Garagiste Seattle, WA Italy7401 Italy7402 Italy7403 Italy7404

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